Roughly two-thirds through “Misty Green,” Rosalind Eleazar takes a breath and lets a rendition of “One Night Only,” from the musical “Dreamgirls,” rip. The characters around her go quiet, and the crowd at the Toronto International Film Festival, where Chris Rock’s film made its world premiere, seemed similarly enraptured. "Misty Green" is an amazing slice of showbiz sociology, riveting in the details of what a contemporary Hollywood actress — even a successful one — is up against.
The warped values he depicts are there in the industry and in Misty herself.
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