NewzThe exhibition titled Rompan todo explores the concept of destruction within Argentine art. The showcase examines how creative acts of dismantling and breaking have been utilized by artists as a deliberate aesthetic strategy rather than an expression of senseless violence.
The exhibition draws upon the 1961 theoretical work Fundamentos de una estética de la destrucción by poet and art critic Aldo Pellegrini. Pellegrini’s writing serves as the conceptual framework for the show, arguing that artistic destruction is a meaningful, intentional process that carries specific cultural and creative significance.
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