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‘The Dink’ feels like an afterthought of a comedy

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I have a patchy relationship with Josh Greenbaum-directed narrative comedies. In 2021, he directed the Kristen Wiig and Annie Mumolo vehicle “Barb and Star Go to Vista Del Mar,” an undersung hero of the absurdist comedy oeuvre. A couple of years later, we got the CGI dog comedy “Strays” – a far less successful outing, to say the least.

“The Dink,” Greenbaum’s newest film with a screenplay from Sean Clements, falls somewhere in the middle. The film follows Dusty Boyd (Jake Johnson), a former teenage tennis phenom who left the sport after a wrist injury (and a humiliating loss to Andy Roddick). Despite his fall from grace, there’s nothing Dusty loves more than tennis – and nothing he despises more than pickleball.

Unfortunately for Dusty, pickleball is about to become an inevitability. If I could speak on my own behalf, there’s no one who has more good will from me in Hollywood than Jake Johnson. I’ll give just about anything he does a chance, and in that regard, “The Dink” is … fine?

It’s an inoffensive, forgettable comedy that only halfway plays to Johnson and the rest of the casts’ strengths. It’s not goofy or funny enough to be memorable, and often feels like a bit of an afterthought. Read Sammie’s full list on Rough Draft The post ‘The Dink’ feels like an afterthought of a comedy appeared first on SaportaReport.

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Read the full story at the source SaportaReport (Atlanta, US) · US
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